A few days ago, I watched the complete 12-hour, extended version movie trilogy of Lord of the Rings. I only do this once a year because it is such a huge investment of time. The only thing I’ve ever done in one sitting that took longer is traveling to Hong Kong, or driving from New York to Chattanooga.
What made the viewing so enjoyable this time was having an Atlas of Middle Earth open in front of me. The maps included timetables and paths of travel so that one could get a sense of the effort involved for the characters.
Tolkien created a world that is indeed a world. Geography, geology, seas, lakes rivers, topography, vegetation, peoples, migrations, languages, histories, battles, dangers, family trees and histories that cohere, purpose, prophecies, poetry, stories. It’s all there. What’s so impressive about this story is its remarkable internal consistency. All the things that makes our world so wide and rich are all present in his stories. It is genuinely inspiring.
Some might feel that the movies seem to go on and on. (I actually had a friend grumble that they are little more than a lengthy video game!) In the actual story, however, Frodo and Sam left the Shire in September and never made it to Mount Doom until mid-March. Six months of foot travel through tough circumstances. They didn’t actually return to the Shire until 13 months after their departure. The story is a quest in its rightful form, and thankfully the movies capture that sense of arduous, extended, demanding, hazardous, obstacle-filled travel through mountains, swamps and enemy territory.
Whenever I watch the movies in one sitting like this, my appreciation for Peter Jackson and company increases. I know he made alterations in the story line so that he could produce a watchable movie, but he was profoundly faithful to the story, to geography and to the movements of action, reproducing what the written story lays out.
Tolkien believed that what one creates continues as reality beyond this world (thus a strong motivation to be creative). He lived it out. The fact remains that Tolkien created a complex, multi-layered world of remarkable detail and if his notion about “sub-creating” is correct, then he (and hopefully others like myself) will get to explore it someday.
Today’s Influences and Soundtrack:
Patrick O’Brian, Fortunes of War
J.R.R. Tolkien, Leaf By Niggle
Karen Fonstad, Atlas of Tolkien’s Middle Earth
Vaughan-Williams, Norfolk Rhapsody I & II
Kaki King, Legs To Make Us Longer
Lyle Mays, Lyle Mays
1 comment:
Don't know if you want people commenting on this, Mr. B, but I'm going to anyways. I'm glad someone can finally step up and praise Jackson, Weta (the FX and costuming department), and NewLine for making such a great series. All I tend to hear is criticisms is the storytelling itself (which is more a criticism of Tolkien than anything) or how it wasn't faithful to the books as well as they would have liked, which you touched on. But on the earlier comment on Tolkien's storytelling, in this day and age of Postmodernity, how profound is it that a movie trilogy would have this much success (Oscars and revenue included in this) that emphasizes the virtues and general morality that LOTR does?
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